ED DOUGLAS: CURRICULUM VITAE
Born in 1943, San Rafael, California
Emigrated to Australia in 1973
EDUCATION
1968-69 San Francisco State University, San Francisco, California, Masters in Fine Art, supervised
by Jack Welpott
1966-67 San Francisco State University, San Francisco, California, Bachelor in Fine Art, studied
with Don Worth and John Gutmann
1964 San Francisco Art Institute, San Francisco, California, studied with Blair Stapp,
Geraldine Sharpe and Joe Humphrey
*Indicates Australian activities from 1973
PUBLIC COLLECTIONS
* Art Gallery of New South Wales, Sydney
* Art Gallery of South Australia, Adelaide, South Australia
* Australian Centre for Photography, Paddington, New South Wales
* Bathurst Regional Art Gallery, Bathurst, New South Wales
Bibliothèque nationale, Paris, France
Center of the Eye, Aspen, Colorado
Chicago Art Institute, Chicago, Illinois
* City of Prospect Art Collection, Prospect, South Australia
George Eastman Museum (formerly George Eastman House), Rochester, New York
Hallmark Gallery, New York
Le Provencal Gallery, Avignon, France
Museum of Modern Art, New York, New York
* Naracoorte Art Gallery, Naracoorte, South Australia
* National Gallery of Australia, Canberra, Australian Capital Territory
* Norton Simon Museum, Pasadena, California
Oakland Museum, Oakland, California
Open University, London, England
* Parliament House Collection, Canberra, Australian Capital Territory
San Francisco Museum of Modern Art, San Francisco, California
* St. Peters Civic Centre Collection, St. Peters, South Australia
* Swinburne Technical College, Melbourne, Victoria
* Toowoomba Art Gallery, Toowoomba, Queensland
University of Colorado, Boulder, Colorado
* University of South Australia, Adelaide, South Australia
SOLO EXHIBITIONS
2020 * Duologue, Hahndorf Academy, Hahndorf, South Australia
2019 * On My Father's Drawing Board, Hahndorf Academy, Hahndorf, South Australia
2018 * Past Present: Ash & Flame, West Gallery, Thebarton, South Australia
2017 * Visions, SALA, Worth Gallery, Kent Town, South Australia
2016 * Selected Prospects images, Sarah Gurich, Curator, Jean Bellette Gallery, Hill End,
New South Wales
2015 * Connections, Prospect Gallery, Nailsworth, South Australia
2015 * Connections 2: Images and Objects , Hahndorf Academy, Hahndorf, South Australia
2015 * Connections: in retrospect, Bay Discovery Centre, City of Holdfast Bay, South Australia
2012 * Family Tree: an exploration, Centre for Creative Photography & Light Gallery, Marleston,
South Australia
1998 * Site 6: Ed Douglas, Parliament House, Canberra, Australian Capital Territory
1993-1994 * The Lure of Unrealised Desire, Perth Institute of Contemporary Art, Perth, Western Australia
and the University of South Australia Art Museum, Adelaide, SA
1982-1983 * Land of Time, The Australian Centre for Photography, Paddington, New South Wales
and the Christine Abrahams Gallery, Melbourne, Victoria
1982 * Earth Works, Developed Image Gallery, Adelaide, South Australia
1978 * Sydney Series, Contemporary Art Society, Parkside, South Australia
1976 * A Brief Retrospective, Sydney College of the Arts, Balmain, New South Wales
1975 * California Aesthetic, this exhibition showed at the following venues:
the National Gallery of Victoria, Melbourne
and the Australian Centre for Photography, Paddington, NSW
1974 * Ed Douglas: Photographs, Hogarth Gallery, Paddington, New South Wales
1972 Family Photographs, Hartnell College, Salinas, California
1972 Family Photographs, Diablo Valley Junior College, Concord, California
1970 Ed Douglas: Photographs, Anima Mundi Gallery, Mill Valley, California
GROUP EXHIBITIONS
2020 * Adelaide Art Photographers 1970-2000, book launch and exhibition, Royal
South Australian Society of Arts Gallery, Adelaide, South Australia
2019 * Art for the Wilderness exhibition, all proceeds for the Wilderness Society,
curated by Emma Schofield and Rachel Knepfer, Queen Street
Galleries, Woollahra, NSW
2018 * Friends of the South Australian School of Art Auction +Exhibition,
South Australian School of Art Gallery, University of South Australia, Adelaide
2018 * Finalist, The Heysen Prize For Landscape, Hahndorf Academy, Hahndorf, South Australia
2018 * Finalist, Fleurieu Biennale Artprize, McLaren Vale, South Australia
2017 * Synonymous, curated by Amy Sierp-Worth, Fisher Jeffries, Adelaide, South Australia
2017 * Tree Stories curated by Michal Kluvanek, Section #1 Gallery, Thebarton, South Australia
2017 * Hill End: Seven Decades, curated by Sarah Gürich, Bathurst Regional Gallery touring show,
Penrith Regional Gallery, Emu Plains, New South Wales
2017 * Curious Objects, curated by Annabelle Collette, Signal Point Gallery, Goolwa, SA
2017 * City-Spaces, Sydney 1976, No 14, 17, 21, 29, curator Isobel Parker Philip, Art Gallery of
New South Wales
2016 * Runner-up: Heysen Prize for Landscape, Hahndorf Academy, Hahndorf, South Australia
2016 * Finalist: Josephine Ulrick & Win Schubert Photography Award, Gold Coast City Gallery,
Surfers Paradise, Queensland
2016 * Finalist: Fleurieu Landscape Prize, Samstag Art Museum, University of SA, Adelaide, SA
2016 * Public Image, Private Lives: Family, Art Gallery of South Australia, Adelaide
2015 * Winner: Celebrations, 4th exhibition Friends of the SA School of Art, Bay Discovery Centre,
City of Holdfast Bay, South Australia
2015 * CACSA Contemporary 2015, 45 artists & 10 Adelaide galleries, SALA 2015, Kerry Packer
Civic Gallery, University of SA, Adelaide, South Australia
2015 * Looking But Seeing, SALA 2015, Gallery 1855, Tea Tree Gully, South Australia
2015 * Stones & Bones: New work by Ken Orchard and Ed Douglas, Yarta Purtli Gallery, Port
Augusta, South Australia
2014 * Finalist: 2014 Heysen Prize for Interpretation of Place, Hahndorf Academy, Hahndorf, SA
2014 * Kangaroo!, SALA exhibition, Section #1 Gallery, Thebarton, South Australia
2014 * Australian Vernacular Photography, Art Gallery of New South Wales
2014 * Face It: The Photographic Portrait, Norton Simon Museum of Art, Pasadena, California
2013 * In Memory of Merlin: Ed Douglas & Ken Orchard, State Library of NSW, Sydney
2013 * Winner: redthreads: destiny, connections, friendship, Lincoln College, North Adelaide, SA,.
2009-2012 * Prospects: Re-imaging gold country at Ophir & Hill End, Ken Orchard and Ed Douglas.
This exhibition showed at the following venues: Bathurst Regional Art Gallery,
Bathurst, NSW; Mildura Regional Art Gallery, Vic; Riddoch Regional Gallery, Mt
Gambier, SA; River Lands Gallery, Berri, SA; Barossa Regional Gallery, Tanunda,
SA, Civic Hall Galleries, Port Lincoln, SA; Cultural Centre Gallery, Port Augusta, SA;
Walkway Gallery, Bordertown, SA; Millicent Gallery, SA; Murray Bridge Regional
Gallery, SA; Signal Point Gallery, Goolwa, SA.
2011 * I Am A Camera, Greenhill Galleries, Adelaide
2010 * The Heysen Trail Exhibition, Greenhill Galleries, Adelaide
2009 * The 6th Prospect Portrait Prize, Prospect Gallery, Nailsworth, SA
2009 * Exceptionally Gifted: Recent Donations to the Norton Simon Museum (2002-2008), Norton
Simon Museum, Pasadena, California
2008 * From the Collection: Ed Douglas & Max Pam, Art Gallery of South Australia, Adelaide, SA
2008 * Silver Drift: gelatin silver photographs, Section #1 Gallery, Thebarton, South Australia
2006 * the collectible moment, Norton Simon Museum, Pasadena, California
2006 * con.cord 2, South Australian School of Art Gallery, Adelaide, South Australia
2005-2006 * Fireworks: Tracing the incendiary in Australian art, Curated by Gavin Wilson, this exhibition
showed at the following venues: Artspace Mackay, Qld; Rockhampton Art Gallery,
Qld; Perc Tucker Regional Gallery, Townsville, Qld; Gladstone Regional Art Gallery
and Museum, Qld; Hazelhurst Regional Gallery, NSW; Wagga Wagga Regional Art
Gallery, NSW; Bathurst Regional Art Gallery, NSW; Ballarat Fine Art Gallery,
Victoria; Mornington Peninsula Regional Gallery, Victoria; Queensland University Art
Museum, Brisbane
2004 * Australian Postwar Documentary, Art Gallery of NSW, Sydney
2004-2006 * Intimate Topographies, curated by Pamela Kouwenhoven, this exhibition showed at the
following venues: Hahndorf Academy, Hahndorf, S.A; Whyalla Regional Art Gallery,
SA; Port Pirie Regional Art Gallery, SA; Barossa Regional Gallery, Tanunda, SA
2002 * ARID Arcadia: Art of the Flinders Ranges, Art Gallery of South Australia, Adelaide
2000 * The Visual Dialogue Foundation Revisited 1968-2000, J.J. Brookings Gallery,
San Francisco, California
1993 * Carte Blanche, Anima Gallery, Adelaide, South Australia
1993 * Australia Exposed, Art Gallery of South Australia, Adelaide, South Australia
1992 * Being There, Royal South Australian Society of Art, Adelaide, South Australia
1992 * The 'Gone West' Show, South Australian School of Art, Adelaide, South Australia
1992 * Memories, Dreams, Reflections, Art Zone Gallery, Adelaide, South Australia
1992 * Con-Temporary, curated by Alan Cruickshank, Capita Building, Adelaide, South Australia
1989 * Exhibition Wilpena, Liston Street Gallery, Parkside, South Australia
1988 * CSR Photography Collection, Art Gallery of New South Wales, Sydney
1987 * Constructed Images: Photographs of the New Parliament House, Pod Gallery, Drill Hall
Annexe, Canberra, Australian Capital Territory
1986 * Travelling Light, curated by Paul Hewson, Art Council of South Australia travelling
exhibition, South Australia
1985-1986 * CSR Photography Project, Queensland Art Gallery and Regional Tour, Queensland
1985-1986 * New Landscapes: Photographs from Two Continents, this exhibition showed at the following
venues: The Australian Centre for Photography, Paddington, NSW; Tasmanian
School of Art, Hobart; Gallery 210, University of Missouri, St. Louis
1985 * Common Ground/Personal I: Contemporary South Australian Photographers, curated by
Alan Cruickshank, Adelaide Festival Centre Gallery, Adelaide, SA
1984 * Recent South Australian Photography, Araluen Arts Centre, Alice Springs, Northern Territory
1984 * The Centre: Works on Paper, curated by Alison Carroll, Art Gallery of SA, Adelaide
1984 * Time Present/Time Past, Australian Centre for Photography, Paddington, New South Wales
1983 * 13 Photographers, Experimental Art Foundation & Developed Image Gallery, Adelaide, SA
1983 * C.S.R. Photographic Project, Art Gallery of New South Wales, Sydney
1982 - 83 * Australian Jewellery & Photography, this exhibition showed at the following venues:
Schmuckmuseum, Pforzheim, Germany; Goldsmith’s Hall, London; City Art Centre,
Edinburgh; Scotland; Arnolfini, Bristol, England; Antwerp Diamond Museum,
Belgium; National Museum, Athens, Greece; Gulbenkian Foundation, Lisbon,
Portugal; Galerie Am Graben, Austria; Det Danske, Copenhagen, Denmark
1982 * Contemporary Colour Photography, Newcastle Regional Art Gallery, New South Wales
1982 * Eight Photographers, Royal South Australian Society of the Arts, Adelaide
1981 * Project 38: Re-constructed Vision, Art Gallery of New South Wales, Sydney
1981 * South Australian Paperworks: Maude Vizard-Wholohan Exhibition, Art Gallery of SA
1981 * Visions After Light, Art Gallery of South Australia, Adelaide
1980 * Eight South Australian Photographers, Australian Centre for Photography, Sydney, NSW
1978 * Six Series Show, curated by Jennie Boddington National Gallery of Victoria, Melbourne
1975 & 77 * Blue Gum Festival Invitational Exhibition, Hobart, Tasmania
1972 Visual Dialogue Foundation, Friends of Photography Gallery, Carmel, California
1971 Photographies 1971, XV Grand Prix, ‘Le Provencal’ du Festival d’Avignon, France
1971 Phelan Awards, Oakland Museum, Oakland, California
1970 Photomedia, San Diego State College, San Diego, California
1970 California Photographers, Pasadena Art Museum, Pasadena, California
1970 13 Bay Area Photographers of the Visual Dialogue Foundation, College of Marin, Kentfield,
California
1969 Serial/Modular Imagery in Photography, Purdue University Art Gallery, Lafayette, Indiana
1969 Visual Dialogue Foundation, Lytton Centre for the Visual Arts, Oakland, California
BIBLIOGRAPHY
2019 *Adelaide Art Photographers 1970 - 2000 by Gary Sauer-Thompson & Adam
Dutkiewicz, Moon Arrow Press 2019
2018 ` * Fleurieu Biennale (catalogue), McLaren Vale, South Australia
2018 * John Williams Photographer And Historian, essay: The Man By The Tree by Rolf Sachsse,
Bonn, Germany, references my photograph City Spaces #28 (John Williams) 1976,
publisher: Lecturis, Eindhoven, The Netherlands.
2017 * South Australian Living Artists Festival (SALA) 2017 catalogue, pg 17, Adelaide, SA
2016 * The Heysen Prize for Landscape 2016, exhibition catalogue, Rachel McElwee, Director'
Hahndorf Academy, Hahndorf, South Australia
2016 * Close Up: Public Image, Private Lives, John Neylon, The Adelaide Review, Issue 432,
February 2016, p 45, Adelaide, South Australia
2016 * Roots and Wings; 2016 Fleurieu Art Prize, Anne & Gordon Samstag Museum of Art, John
Neylon, The Adelaide Review, Issue 437, July 2016, p 28, Adelaide, South Australia
2015 * Fourth of the Friends Exhibitions - 'Celebrations 2015, FSASA News (Friends of the South
Australian School of Art), Vol 1, Issue 2, Sept/Oct 2015, p 1, Adelaide, SA
2015 * CACSA Contemporary 2015 (catalogue), introduction: Jim Moss, Sarita Chadwick, Project
Manager, Alan Cruickshank and Logan Macdonald, Project Curators, p. 31, Adelaide,
South Australia
2015 * Broadsheet: Contemporary Visual Art + Culture, Vol 44.3, 2015; John Neylon, Condensation:
CACSA Contemporary 2015, pg 34, Adelaide, South Australia
2015 * Connections: Ed Douglas, self published 8 page catalogue, design Sandra Elms, Adelaide,
South Australia
2014 * Heysen Prize: For Interpretation of Place, catalogue by Kate Wake, Director, Hahndorf
Academy Hahndorf Academy, Hahndorf, South Australia,
2013 * In Memory of Merlin: Ed Douglas & Ken Orchard, State Library of NSW, catalogue essay by
Gavin Wilson, Sydney, New South Wales
2013 * Interwoven: The Commissioned Art and Craft for Parliament House, M. Pamille Berg,
p 230-234, Canberra, Australian Capital Territory
2012 * Connected, John Neylon, The Adelaide Review, Issue 391, Sept 2012, p. 42, Adelaide, SA
2011 * Fossicking, John Neylon, The Adelaide Review, Issue 380, Oct 2011, p. 39, Adelaide, SA
2009 * Self-portraits with a difference, Louise Nunn, The Advertiser newspaper, Box Office lift-out
p. 9, Dec 31, 2009 – Jan 6, 2010, Adelaide, South Australia
2009 * Artnotes, South Australia, Prospects, Art Monthly Australia, #224 October, 2009, p. 58, Acton,
Australian Capital Territory
2009 * Art Collection captures changing landscape, Anelia Blackie, The Border Watch newspaper,
Mt Gambier, South Australia
2009 * Small City Tales of Strangeness and Beauty, book edited by Gillian Britton & Stephen
Lawrence, p. 144, 156, Adelaide, South Australia
2009 * Art Almanac, February 2009, Prospects exhibition, p. 97, Saint Leonards, New South Wales
2007 * Photography: Art Gallery of New South Wales Collection, p. 282, Art Gallery of NSW, Sydney
2006 * the collectible moment: catalogue of photographs in the norton simon museum, book, Gloria
Williams Sander with Therese Mulligan, p. 80, 174, Norton Simon Museum,
Pasadena, California.
2006 * Australian Art Review, Issue #10, March-June 2006, review of the Intimate Topographies
show at Pt. Pirie, SA, Mysterious Terrain by Stephanie Radok, p. 92, Sydney, NSW
2005 * CSR 1855-2005 Celebrating 150 Years, section titled The CSR Photography Project. 1978-
1985, p. 42-43, published by CSR Ltd., Chatswood, New South Wales
2005 * Fire and fear in the Australian landscape: Fireworks in Mackay, Queensland by Sally Butler,
p. 26-29, Art Monthly Magazine, May, #179, Australian National University, Acton,
Australian Capital Territory
2005 * Fireworks: Tracing the Incendiary in Australian Art (exhibition catalogue) Gavin Wilson,
Curator, p. 28, 32-33, 34, 73. Artspace Mackay, Queensland
2004 * Australian Postwar Photodocumentary by Natasha Bullock (catalogue/book), Art Gallery of
NSW, Sydney
2004 Intimate Topographies: Ed Douglas, Ian Hamilton, Pamela Kouwenhoven, Ken Orchard
(catalogue); Intimate Topographies by Margot Osborne July 2004 (essay), Adelaide,
South Australia
2003 * At Home in Australia by Peter Conrad, book p. 60-61, National Gallery of Australia, Canberra,
Australian Capital Territory
2002 * Arid Arcadia: Art of the Flinders Ranges by Alisa Bunbury, catalogue/book, p. 134, 136, 139,
197, Art Gallery of South Australia, Adelaide
2001 * Black & White Magazine for Collectors of Fine Photography, (US) Issue #16, Dec. 2001,
‘Visual Dialogue Foundation’ by Darwin Marable, p. 58-65, Ross, California
1998 * Photofile Magazine #54: Dark Room, Aug. 1998, p. 19-29, ‘An Excursion to the Alban Hill: A
Personal View of the Commissioned Photographs of the Construction of Parliament
House, Canberra by Mark Bayly, Sydney, New South Wales
1994 * The Adelaide Review, May 1994, Stephanie Radok review: ‘Mid-Life Dark Room’, Adelaide, South Australia
1994 * The Advertiser, , David O’Halloran review: ‘Compelling Outlet for Unrealised
Desire’, 27/4/94, Adelaide, Adelaide, SA
1994 * Ed Douglas: The Lure of Unrealised Desire, University of SA Art Museum, 7 April–7 May
1994 (catalogue) with essay The Lure of Unrealised Desire by John Neylon,
Adelaide, South Australia
1993 * The Western Australian, David Bromfield review, 19 June, Scraps Take on a Form of Mystery’, Perth, Western Australia
1988 * Expressing Australia: Art in Parliament, Parliament House Construction Authority,
Canberra, Australian Capital Territory
1988 * CSR Photography Project Collection: A Bicentennial Gift to the Art Gallery of NSW,
introduction by Robert McFarlane, Sydney, New South Wales
1986 * The Age Saturday Extra: Parliament in Camera, 20 December, p. 1,8,9, Melbourne, Victoria
1986 * New Views: Landscape Photographs from Two Continents, catalogue by Tom Patton, p. 6,
10, 18, 20, University of Missouri, St. Louis
1985-86 * CSR Photography Project Selected Works: Queensland Art Gallery and Regional Tour
1985-1986, catalogue
1985 * New Landscapes: Photographs from Two Continents by David Stephenson, catalogue, p. 8,
28, 29, 39, 40, University of Tasmania, Hobart
1985 * Common Ground: Personal I by Alan Cruickshank, p. 3, 4, 9, 27, Adelaide, SA
1985 * European Photography Magazine, Andreas Muller-Pohle & Alan Cruickshank, Australian
Photography Now, Vol. 6, Issue 3, pp. 15 - 42, Gottingen, West Germany
1984 * Arts, Melbourne Age Newspaper, 17/1/84, McIntyre Review of 1983 art activities in Sydney,
Melbourne, Victoria
1984 * Studio International, Alison Carroll, The Geographic Tradition: An Aspect of Current Art in
South Australia, March/April, London, England
1984 * The Centre: Works on Paper by Contemporary Australian Artists by Alison Carroll (show
catalogue), Art Gallery of SA, p. 14, Adelaide, South Australia
1983 * The Australian Photography Yearbook 1983, Jean-Marc Le Pechoux, (ed.), Thomas
Nelson Australia, Folio 1: Ed Douglas, p. 52-59, Melbourne, Victoria
1983 * The Weekend Australian Magazine, (Oct. 30-31), Peter Ward Review, exhibition review,
Sydney, New South Wales
1983 * Bulletin of the Art Gallery of South Australia, Vol 39, 1981-82, p. 22-36, Adelaide, SA
1983 * International Edition Photography Annual 1984, Ed Douglas, p. 32 - 37, Ziff-Davis
Publishing, New York, NY
1982 * Contemporary Photographers, catalogue of international photographers, London, England
1982 * Photography by Reimund Zunde, Education Department of Victoria, Melbourne, book, Ed
Douglas, p. 138-139, Melbourne, Victoria
1982 * Sydney Morning Herald, 31 March, Neither Man nor Hunter Can Live by Coal Alone by
Max Dupain, Sydney, New South Wales
1981 * Australian Art Review, essay:Variety Without Change by Neville Weston, p. 59-61
1979 * Australian Photographers: The Philip Morris Collection, Philip Morris Australia Ltd., p. 40,
102, Melbourne, Victoria
1978 * Australian Photography: A Contemporary View, Laurence Le Guay, Globe Publishing, Ed
Douglas, p. 68-70, Sydney, New South Wales
1976 * Australian Photography, Laurence Le Guay, p. 68-70, Globe Publishing, Sydney, NSW
1975 * Woman 1975, YWCA of Australia, Wilke & Co., p. 82, Clayton, Melbourne, Victoria
1974 * New Photography Australia: A Selective Survey, Graham Howe, The Australian Centre for
Photography, p. 52-53, Sydney, New South Wales
1972 The Visual Dialogue Foundation, (catalogue), Friends of Photography Gallery, Carmel,
California
1970 Album Magazine, #10, October 1970, Visual Dialogue Members Portfolio, p. 34-45,
London, England
1970 California Photographers 1970 by Fred Parker, University of California, p. 6, 41, 82,
Davis, California
ACADEMIC ACTIVITIES
2001 * Retired from teaching after 24 years with the South Australian School of Art
1995-1996 * Chairman of Innovative Teaching and Learning Research: Integrated Studio Studies Project,
SA School of Art, we developed and tested teaching strategies to potentially
integrate the teaching of Photography, Printmaking and Digital Imaging
1993 * South Australian School of Art, Professional Experience Program: produced exhibition:
The Lure of Unrealised Desire
1989 * South Australian School of Art, 6 month leave to print recent colour work
1987 * South Australian School of Art, Long Service Leave project: visited and photographed
Aboriginal art sites in northern Australian
1984 * South Australian School of Art, Professional Experience Leave: photographed
prehistoric sites in France, Scotland, Ireland and the US.
1977 * Established the course and headed the first BA level photography program to be offered
in South Australia at the oldest art school in Australia - the South Australian
School of Art.
1976 * Lectured in the Visual Arts, Sydney College of the Arts, Sydney, New South Wales,
1976 * Australian Centre for Photography, photography workshop
1974, 75, 79 * Tasmanian College of Advanced Education, Tasmanian School of Art, Hobart, Tasmania:
Photography Workshops
1969 - 73 Lectured in the Visual Arts, College of Marin, Kentfield, California
1970 - 71 Lectured in Photography, University of California Extension, San Francisco, California
1969 Lectured in Photography, San Francisco State University, California
ART RELATED ACTIVITES
2018 * Diane Arbus American Portraits lecture at the Art Gallery of South Australia.
The show included: Diane Arbus, Weegee, Lisette Model, Walker
Evans, Mary Ellen Mark, Garry Winogrand, Lee Friedlander, Wiiliam
Klein, Willliam Eggleston, Milton Rogovin, and Katy Grannan.
2016 * Board Member, Hahndorf Academy, Hahndorf, South Australia
2015 * Winner Celebrations 2015, Friends of the SA School of Art Prize Exhibition,
2013 * Artist Residency with Ken Orchard at Grindell's Hut, Gammon Ranges National Park, SA
2013 * Winner redthreads: destiny, connections, friendship, Lincoln College, North Adelaide, SA
2007 * Artist Residency at Hill End, NSW, a collaboration with the artist Ken Orchard, sponsored by
the Bathurst Regional Art Gallery, Bathurst, NSW.
1993 * Vox Populi, SBS Television documentary on my work in progress: The Lure of Unrealised
Desire: Ed Douglas
1992-93 * Canon, Australia - Artist Sponsorship Program to develop Lazer and Bubblejet images that
were later exhibited as The Lure of Unrealised Desire
1984-1986 * Parliament House Project, Canberra, artist commission to create images during the building
of the new Parliament, Canberra, Australian Capital Territory
1982/1983 * CSR Project: artist commission to create images at their gypsum mine, Kangaroo Island, SA
1982 * Travelled in S.E. Australia producing images for the Land of Time series
1982 * The Photographer as Artist, a series of videotapes on a variety of working photographers:
'Photographers at Work', Open College of Technical and Further Education, Kilkenny,
South Australia
1981 - 82 * Member of the Artists’ Week Committee for the 1982 Adelaide Festival of Arts, SA
1981 * Visual Arts Board, Special Projects Grant: exhibition assistance with 'This Land of Time'
1980 * Travelled in the Australian central desert, produced colour landscape photographs later
exhibited as the work of my alter ego, Glenson Tealeaf.
1980 * Curated the Eight South Australian Photographers exhibition for the Australian Centre for
Photography, Paddington, New South Wales
1979-80 * Kayaked from Gundagai to Hay on the Murrumbidgee River, NSW with my girlfriend LW and
produced a suite of colour photographs for a potential book of fiction related to
Charles Sturt's 19th century travels along and on the Murrumbidgee.
1976 * Visual Arts Board, Equipment Grant
1972 Travelled in England, France, and Switzerland adding to a suite of black and white
photographs exhibited with the title: Family Photographs
1971 Travelled in northern Mexico and added to a suite of black and white photographs exhibited
with the title: Family Photographs
1971 VX Grand Prix, 'Le Provencal', due Festival d'Avignon, purchase prize: L'object, Arles, France:
1968 Founding member of the Visual Dialogue Foundation, San Francisco Bay Area. The founding
members: Michael Bishop, Judy Dater, Oliver Gagliani, Michael Harris, Leland Rice,
Charles Roitz, John Spence Weir, Jack Welpott, Don Worth, Ed Douglas. Later
members included: Linda Connor, Timo Pajunen, Steven Soltar, Harvey Hemalfarb